Understanding color management is also helpful: "A Deeper Look at Consistent Color with QuickTime Tags From Resolve To YouTube & Vimeo on Wide Gamut Apple Monitors" by Dan SwierengaĪnd I think they cover the issues and the solutions very well. "Grading for Mixed Delivery: Cinema, Home, and Every Screen in Between" by Cullen Kelly Maybe I'm confusing topics, if that's the case, please let me know. Do you think that would be enough? I've read that I should have a separate hardware to transfer the image. I think the Free version of resolve does not allow this, so I'm considering upgrading to the Studio version (actually, I might get a Blackmagic camera, but that's a different story!). I would like to use my BenQ monitor as a playback monitor to see my color adjustments. Would that be appropriate for color management? Would you suggest that approach?Īs a side note, I'm working on a medium length film that I intend to send to art festivals and possibly show at a gallery. I found a solution on this video that suggests changing Resolve settings to use the Mac display color profile for viewer and tag clips as Rec709. From what I've seen on the web, this seems to be common. When I export my video, I notice a heavy shift on contrast when I play the video on Quicktime, but not on VLC. Maybe you could give me some basic guidelines? It's what I could afford, but I think it's better than just using my laptop screen. I work on a 2016 Macbook Pro 15" and just recently invested on a BenQ SW240 (which can be hardware calibrated) + a Xrite calibrator. Also, from what I've seen Resolve is just more powerful with color tools. I was just tired of the bugs and problems with Adobe. I recently switched from Premiere to Resolve. I'm a filmmaker from Spain, trying to get a bit more serious with color grading and postproduction in general.
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